Mystery Gate--This is an original song, with the lyrics initiated in April four days after a surgery, and jotted down in phrases to completion over the following month. Melody completed next, and recording in bits over several days as able. The song is inspired by a common human experience, that experience that is part of our birth, our living and our dying, for learning in symbolism about that experience to inspire others on how to view and manage the experience. The song has an air of mystery given by the parallel harmonica solo harmony with the vocals along with instrumental track and guitar. Mystery Gate He’s come through the darkness The galloping stallion Into the orb of every man’s life He makes his entrance And he runs like thunder Cutting through hours like the blade of a knife His sweat streaks the heavens Like sleet in a winter His eyes blaze fire that light up the sky The ride seems forever Through dark mists and shadows As in rhythm each breath comes in whisper or sigh He arrives at the birth times And he’s there in our sorrows The reins we are given we can hold like a staff The strong rider’s stirrups keep us balanced and steady And the rhythm, the breathing, keep us firm on our path He stops at the entrance Where wisdom makes choices As found in the journey the learning, the fate For no man can enter the star-studded kingdoms Till the steed brings him in through that mystery’s gate

John Brown's Body--An old folk song made new by this more blues folk rendition of the classic composed during the Civil War. It became the melody used for Battle Hymn of the Republic, when overheard by Julia Howe in one of the Union Camps. It was an anthem of the abolitionists in the United States. One of the songs we have done and put on YouTube prior to facial surgery and reconstruction, which also shows the wonders of modern stage makeup, which has been used for the production.

Children's Classics--Be a child again with us with a short segment of children's classic songs, pretending you have cocoa or milk in one hand and cookies in the other, a snug quilt and the warm sounds of kindness and take the problems of the world off your shoulder with the simplest music, but those most folks know all over the world. It is that music and our childhood qualities that can heal and bring joy today and every day..

Queen Jane---An English ballad that tells in a tale of questionable truth the death of Queen Jane, although accurate in much of its elements. Sung in a soprano, a range the vocalist "lost" years ago, in one of those windows of recovery. The ballad is offered as a tribute to the English and their musical offerings to the world, which have become part of our world heritage of music.

She'll Be Coming Round the Mountain- Rock Blues--A different style for an old classic, done by with vocals, guitar and harmonica. Meant for folks to have fun, play, sing alone, or just listen to how an old children's song can be dusted off and made brand new in a creative way.

Wicked Spell---An original blues rock song, featuring the harmonica as the lead instrument with an additional instrumental track and vocals. The song reflects a unique video construction using the instrumentalist, in this case the harmonica played by Del Forsloff, along with a still photo of the vocalist, reflecting the capacity of the digital capabilities for video divelopment. It is done in the popular, yet traditional, style of rock blues

Dreams on Grandpa's Knee: An original song written about the value of grandfathers in the lives of children. It is done with a modern, upbeat, sound with guitar, harmonica and vocals in the folk tradition. Copyrighted April 2, 2013 Dreams from Grandpa’s Knee Grandpa’s knee is where I went ridin’ Back in the day when he took me on his lap And we galloped together to that magic kingdom No place like it and not turning back. I closed my eyes as he told me all his stories How he had planted the oak tree that stood outside It was strong like my Grandpa, and withered in its branches But the swing on that oak tree wasn’t like Grandpa’s ride Cause Grandpa’s knee made little children happy While Grandma scolded, he’d laugh and he’d say Now let this little darling ride forever if she wants to And Grandma would laugh, as we rode away And when life’s burdens seem too hard to carry I think of those childhood days of feeling young and free We were making memories, so when I grew older I’d think how good it felt to ride on Grandpa’s knee I think about my rides and dreams on Grandpa’s knee

Take Me Back to the 50's---Reminisce or dream of simpler times with a nostalgic look at the 50's, wi... read more... read more... read more... read more an upbeat, original song copyrighted March 2013, but in the style of 50's music, complete with photos of the famous, including President Eisenhower, Judy Garland, Marilyn Monroe, Bill Haley and the Comets, Jane Russel and Elvis Presley, as well as artifacts of the period and photos from the personal album of Del and Carol Forsloff, who perform the song with vocals and guitar. Take Me Back to the 50's I want to go back to the 50's I want to go back to where I belong I want the simple way of living Wish I could take my friends along Refrain Take me back to the 50's Life was so much simpler then Wish we could just do a do over And not mess up again I want ice cream for a nickel I want movies for a dime Walk the streets and know my neighbors And never worry about the time I want a red and white new Chevy I want to gun it through the town Lucky dice to keep me lucky And petticoats to flounce around Looking for those days of Elvis With his music we could dance I'd take us all back to the 50's If I ever got that chance

What Would Jesus Think--An original song copyrighted March 21, 2013, What Would Jesus Think, addresses the question and answers on the occasion of Good Friday, but an appropriate song for any occasion when people consider those things relevant to Christ in contrast with the problems of the world today. What would Jesus think? I saw her in the shadows Her face all tired and worn As she spoke lost in the darkness Wishing she'd never been born I saw the young child go hungry Saw the hurting eyes that stared Watched the cars drive slowly by him And I wondered just who cared Refrain What would Jesus think, what would Jesus think What would Jesus think, what would Jesus think I watched the folks all gather In the halls they called God's home Whispering and condemning Those folks all left alone I heard their righteous pleadings While the hungry stood outside I heard their words of judgment As the tender-hearted cried I heard the children crying Heard the gunfire slice the dark And I wondered in God's lighthouse Where could we find a spark I heard the mother weeping Saw the fathers march to war The sounds of fear and crying Wondering what His death was for

The Old Rugged Cross--This song was written by a Salvation Army minister in 1915 and has been performed by numerous musicians, including originally Ernest Tubb and featured among Elvis collection of gospel songs. Like The Messiah, it is among the classic songs associated with Easter, a country western song that remains part of the tradition for the holiday and related events. It was a song I would do for family when I was only six years old at my grandparents home when my Father returned from the war and would play the guitar for me to sing it.

Don't Put Her Down--The song is a bluegrass-country song composed by Hazel Dickens, one of the foremost women in the genre. From the State of West Virginia in the United States, Dickens was an outspoken advocate for the rights of women and the coal miners. Much of her music is devoted to these themes. This one comes from her songs about the status and rights of women.

Love in My Heart--A different kind of song, an original, done in five part vocals by a single singer... read more... read more... read more... read more... read more with a harmonica as the sixth "voice." Done in a style of music done by folks as they worked in the fields, translating their pain and culture into songs where the parts had an individuality, many times the sort of "Amens" one continues to hear in some of the American churches. Copyright March 12, 2013 Love in my heart No devil’s hand is gonna come down on me No devil’s hand is gonna come down on me No devil’s hand is gonna come down on me As long as I got Love in my heart Nobody’s ever gonna hurt me again Nobody’s ever gonna hurt me again Nobody’s ever gonna hurt me again As long as I got Love in my heart No lies are takin me down the low road No lies are takin me down the low road No lies are takin me down the low roadAs long as I got Love in my heart No danger nowhere gonna turn me around No danger nowhere gonna turn me around No danger nowhere gonna turn me around As long as I got Love in my heart That love gonna keep me standin up proud That love gonna keep me standin up proud That love gonna keep me standin up proud That love that’s so deep in my heart Brothers and my sisters come sing it with me Brothers and my sisters come sing it with me Brothers and my sisters come sing it with me As long as we got that Love in our hearts(Repeat last verse) For those wanting more information on the "holler" music, of what seems like "disjointed" music to the modern ears, but was a style used by the field hands, translating their own form of protest and forming the very base of much of modern American music may find it at this site: http://www.kusp.org/playlists/crosscurrents/history.html Here is a specific example from Alan Lomax collection of "holler" songs: http://www.youtube.com/watch?v=J2KbOmvdfe0

Rodeo Queen--A song about a major Wild West event where pretty cowgirls and hard-riding cowboys stru... read moret their stuff in the town of Pendleton, Oregon every September. The song describes some of the excitement and fun, with a brief overview that gives a historical backdrop for the song. Enjoy the song and dream of being there. It is an original song, composed in October of 2012 with vocals, baritone ukulele and accordion. Rodeo Queen Rodeo Queen, we all saw her ride by With her braids hanging down, and her head held up high Back up on the saddle, moving fast on the field Making everyone whistle, and the other folks yield Rodeo Queen, she's the rodeo queen Fastest gal on a horse that they ever seen She's a fast snapping woman, and she well knows the trade She can match any man; she can run any grade There's a smile as she passes, and the crowd waves her by She's the Rodeo Queen, and her fans all know why She was born in the country, raised up to move fast Kept her eyes on the goal and never looked past Made her mind up to ride strong, move swift as the breeze Take her rodeo prizes, and be the Queen, if you please She's making her way now, watch the cowboys all yell She's moving like thunder or a fireball in hell Stand up for the diamond, in the rough, they all say She's the Rodeo Queen folks, and this is her day

I Have a Rendezvous with Death--The famous poem by Alan Seeger, and the favorite of John F. Kennedy,... read more... read more is set to music and performed with three-part vocal harmony done by the primary vocalist, guitar and instrumental track. Alan Seeger was the uncle of Pete Seeger who died fighting for France during World War I and is memorialized by a statue there. The song is illustrated by video segments an 18 minute silent film in the National Archives, Creative Commons, put together through editing to form a mini movie, of love, marriage, an oval portrait and the end of life. Original music, copyrighted March 12, 2013.

Love Song to a Stranger---A provocative and revolutionary song at the time it was written and performed by Joan Baez, about a brief love affair and the issues and concerns surrounding it. Very different than her usual, or this singer's usual, is this song performed with guitar and vocals.

A Little Bit Country and A Little Bit Portland Town--La Grande, Oregon and Portland, Oregon form the backdrop for this original, rockabilly/folk tune that speaks of the contrasts in Oregon between big city and country life, copyrighted February 2013. Done in that style of roots music, with a little bluesy feel to the rockabilly rhythm. Pictures show the rural and the city life that typifies Oregon, a state that can't be type-cast for its mark of originality. Performed here with vocals, guitar, harmonica and instrumental track. I'm a Little Bit Country and a Little Bit Portland Town Well I grew up in the country I was everyone's small town pal But when I got to Portland town I was one swinging, good-time gal Refrain Cause I'm a little bit country And a little bit Portland town I like my music country Like my men big, tall and mean And when I'm in the big city I gotta have them lean and green I like tight jeans and tee shirts Like sweet cookies and sugar pop But when I'm in that Portland town Like my lookin' and my lovin' hot You can't get me out of the country That small town side of me But I ain't leaving this city Where I live and love carelessly

Leaving Louisiana Town Blues--A small town in Louisiana called Natchitoches forms the backdrop of this original blues song, copyrighted March 4, 2013, that extols the virtues of this Southern town, home of the Steel Magnolias, located on Cane River. It is that peaceful town where one can find good people and fond memories, a Southern town where a person can get away from a busy days' rush and enjoy a leisurely style of living. Leaving a place of memories can bring those tears of far away. Leaving Louisiana Town Blues I left Louisiana one bright summer day On the highway through that old Southern town I watched the lights on the river grow dim And wished I could just turn around Refrain Blues skies on the outside with gray skies and hurting inside In the winter of living a hard working life It was looking and feeling like home That town brought a peace and love in my heart Wherever a body may roam On the highway north from Lafayette town Past the bayous and byways and brush To a sleepy sweet town on an old river bank Where time slows from busy days' rush It was time to move on, like my life full of change With a Louisiana memory held dear A roaming and rambling life on the road But that Southern town still brings a tear

Better Days Are Coming, a Celebration of Music--A song written and copyrighted by Carol Forsloff in 2012 is performed here by Yvalain, a master arranger and producer, with the thrilling voice of Lisa Gill. The song has a majestic message of hope and a celebration of life and music, with pictures of a cross section of some of the musicians on Fandalism, a site for some of the best of the world's musicians. It is dedicated to those musicians who bring peace and understanding through their music, performances and collaborations around the world and to the founder of Fandalism, Philip Kaplain, for his vision in creating the site where people continue to perform, to grow as a community and bring entertainment and joy to one another and their audiences everywhere. Better Days are Coming - melody/ lyrics by Carol Forsloff Stephen Foster (highlighted lyrics) There are voices of hope that are borne on the air, And our land will be freed from its clouds of despair, For brave men and women with will shall go on And good times will be coming, bad times will be gone CHORUS Hurray, hurray, it's a beautiful day! Sound the news in the din that's been booming, Tell the people, keep hoping, keep working indeed, For those better times are a-coming We have the future, our hope in our hands, While war rages round us in far foreign lands; But our resolve will remain just as hard as a rock With the good Lord so steadfast, we are never alone From the land of the eagle, our hearts never yield To the hopeless and hapless, our hopes offer shield For we honor the good folks all over the world Who stand up with their personal flags all unfurled Here's health to the helpless, the old and the new Here's strength to the people who serve as the crew On a ship that is destined for difficult climes To a shore where we'll prosper in these coming times .

Bill Bailey Won't You Please Come Home--A new twist on an old song that has been around since 1902 and that has been recorded by many of the top entertainers, and continues to be a standard of the Dixieland jazz variety. Folks like Sarah Vaughn, Bobby Darin, Patsy Cline and Louis Armstrong are among those who performed this song. Here it has a little surprise, somewhere in the middle with its own message and interpretation of the song. Stick around, and don't let anybody spoil that surprise, so no more hints. Have fun, as we did putting this together.

Mighty Mountain of God---An original song written in the form of a hymn. It specifically extols the beauty of Mount Hood in Oregon but is more than that, a recognition of creation itself and the beauty of it as a gift from its Creator. At times in our lives we all need symbols of protection and the knowledge that beauty is in our lives, and so is love, even if neither is visible at the time. The song is dedicated this morning to Sticky Sugar Hopkins, a man whose music has great depth and beauty, who has supported our music and for whom this symbol is important at a troubled time. It is also dedicated to others who struggle in their lives and to those lovers of beauty and in the recognition of the source of this beauty, the Mighty Mountain of God, Mount Hood. The Mighty Mountains of God God's power shows his glory, in nature's favored light The tokens of his bounty soar like mighty birds in flight And in the symbols of that greatness, we see the power of his love In the mountains, in the ocean, in the heaven face above In the mighty mountain, there it stands, a symbol for us all Standing over the Oregon lands, like a guard on watchful call We have our faith to shelter us, we have our love to shield We have in the mountains majesties, that love to which we yield For God, there's beauty in a bush, a form, a shape, a rose For God there is beauty in every living thing that grows The lands we walk, the mountains high, the waters where we bathe Remind us of His power and the source of saint or knave We stand before the mountain, that shadows everything Reminding us of glory, love, and hope that God shall bring In every corner of our world, in Oregon our home God's symbol stands reminding us we never are alone. Copyright February 2013

Anthem of the Rainbow---Filmed with a retro look, this song is performed as a tribute to Odetta, a folksinger of great stature who set the pace for many folksingers of the 1960's and beyond. Recorded by Odetta, the author of the song unknown, the song Anthem of the Rainbow is one of an eternal message, despite its presentation in the 1960's during the Vietnam War. Odetta was a major spokesperson in the civil rights movement through her music and also performed other songs that narrated parts of history, African American culture and the contemporary concerns of her day. She was professionally trained in music, with Marian Anderson as her ideal, but took the path of activism through her music instead. Anthem of the Rainbow is one of the songs that represents the wide scope of her music. She performed until her late 70's, at the last on tour in a wheelchair.

Send Me to the 'Lectric Chair--A tribute to the music life of Bessie Smith, who influenced the blues for generations and such notables as Louis Armstrong and Billie Holliday among many. Done here with an introductory narrative, baritone ukulele and harmonica

An Oregon Jewel--An original song, written and recorded in video form several weeks ago, presented h... read moreere with light baritone uke, accordion, and instrumental track, introduced with a short narrative. One of the great wonders of the world is Crater Lake in Oregon. Formed by the eruption and collapse of Mt. Mazama almost 7000 years ago, it remains in its pristine beauty, appealing to visitors who go to Crater National Park to view its clear waters. It is the crown jewel of Oregon, honored by the Klamath Native Americans who protected it for many years, and glitters with brilliant perfection, a place of contemplation and refuge from a busy world. An Oregon Jewel Come sit with me when I am resting here Where the beauty of still waters offers visions in blue Come lift your voices in joyful thanks and praise For the azure blue waters of an Oregon jewel Refrain Come with me to the still waters deep Come with me where heaven unfolds Come rest awhile, share this splendor with me See the crystal lake sparkle like loving angels eyes Come honor nature in its spirit divine As trees lift their branches in praise to the skies

Portland, Oregon has a reputation as one of the greenest cities in the world. It also is known for i... read more... read morets drizzling rain, but that's how it got so green. This original song extols the virtues of the town but also, with tongue in cheek, talks about how folks from other climates complain, not knowing that the result of all that rain is a brilliantly hued landscape. Done with harmonica, steel guitar, vocals and instrumental track.

900 miles--Live performance with guitar and voice on an Odetta song from the '60's but remains a classic, ... read moreThis is an Odetta cover song, although it was written by Holly West, according to some authorities. There is, however, some controversy over who wrote the song, as there are a number of songs fairly similar, dating back decades. This song was one of the many during the era of the folk music renaissance, with Odetta one of the central figures in it, with her steel guitar, her deep and resonant voice and strong delivery. This song is a testimony to that time.

A Hundred Years From Now--An original song, copyrighted January 6, 2013, offers a bluesy, folk song with a different take on the environment and illustrated with pictures throughout of the beauty of our world and its concerns, and with music performed with vocals, harmonica, guitar and instrumental track.

An original song, Take Me to the Heaven of Your Love, copyrighted January 5, 2013, for lovers everywhere and those who long for the beau... read morety of a love that is heavenly indeed..Happy Valentine's Day.

An original blues song done in the classic tradition, copyrighted January 7, 2013, composed by Carol Forsloff and performed with baritone ukulele and vocals, with harmonica by Del Forsloff and adaptations of Chordpulse instrumental track.

When You Are Old (Yeats)--(You are never old when I'm with you)--An original song based on one of the most romantic and endearing poems in the English language, in anticipation of Valentine's Day and all those days when we remember those we love. We are never old when we are together, in that part of us that mingles with the Divine, that makes us human. May the blessings of the day be with everyone, from a song composed in the moments of health, in the windows of imagination, to those we love, and have yet to know, around the world. When You Are Old by William Butler Yeats When you are old and grey and full of sleep, And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep Refrain (original addition by songwriter) For you are never old when I'm with you You're never old when I'm with you How many loved your moments of glad grace, And loved your beauty with love false or true, But one man loved the pilgrim Soul in you, And loved the sorrows of your changing face; And bending down beside the glowing bars, Murmur, a little sadly, how Love fled And paced upon the mountains overhead And hid his face amid a crowd of stars.

Making Up for Lost Time-- Live each day with joy, use time to have fun, travel, play, sing and be... read more all you can be is the message of this song. When you retire from work, even more fun is on the horizon. This song is upbeat to express that enthusiasm for living life fully and is performed along with original photos of Hawaii, Thailand, New Zealand, Bali and China, reflecting the traveling of the two performers in this video who share with you that love of life and wish it for you as well. Done in the modern folk tradition with a tinge of the blues. Originally composed in early January 2013 with updated pictures taken in Hawaii. Copyright January 10, 2013.

An original song composed and recorded December 2012, based upon the poem of Edgar Allan Poe of the same name, with an air of mystery that is often associated with Poe's work, in the folk tradition, done with guitar, harmonica and vocals.

Rebel Soldier---A song contemporary with the The Battle Hymn of the Republic, a traditional folk song written during the Civil War speaks of the pain, sorrow and worries of the rebel soldier. Many of these traditional songs written during this period came from both sides of the conflict, with soldiers sometimes sharing the same songs, but changing verses or melodies, while others were specific to North or South. The song has been recorded by many country and folk artists, including Waylon Jennings.

The Color of God--The Color of God is an original song that speaks of how children like to ask questions, and often they answer them as well in their own wisdom. When they are told they are made in the image of God, and they look at themselves, and ask questions. Song is done in the contemporary folk tradition with vocals, guitar, accordion and instrumental track. Copyright January 3, 2013 The Color of God It was time for bed and stories, and the young child's eyes grew wide When he told me this, I think I know the color is of God And I asked him why he knew for sure, and he told me with a nod. And I learned the wisdom of a child can answer questions kept inside Refrain Just a bed time story, the color of God "I think that God is sometimes blue, the color of the sky For it is where I see the birds that make me smile each day Sometimes I think He's green, like the grasses where I play And sometimes I believe he's brown like ground where animals can lie But then I wondered if God is like those pictures everywhere His face all white and smiling with him walking on the sea But if He's white and I am brown, how can he look like me? Or if he is to each of us those things we like and want to share Like the colors of the rainbow, that follow clouds and rain I think He's every color from the earth and up above Now Mommy isn't that the way that God can share his love Bringing folks of every color to remind us we are one

The Coasties of Astoria Bay---Lift your glasses me hearties and enjoy an original song, a sea chanty... read more... relating a true incident that occurred ... read more---in 1954 off the Oregon Coast as recalled by a former Coast Guardsman from the Coast Guard Cutter Yocona WAT168. Performed with vocals and guitar. Copyright December 14, 2012. The Coasties of Astoria Bay I'm an old coastie from Astoria Town I watch the great ships come and go The wind and the waves hold this salty man's heart Bringing memories of youth long ago When I was a lad I put out to sea Seeking adventure and thrill I would stand on the decks like a strong sentinel And as years pass I remember it still I was just seventeen when I signed up for the GuardA ship based in Astoria Bay It would take a young lad to ports near and far It would carry me to lands far away The storm came one night in the dark misty air And the captain cried "ship in distress "With a crack in its hull, the freighter might sink And all of us lads did our best And I, full of fear and yet full of pride Stood watch on the helm and looked out As we coasties all knew we would rescue that ship And we did, as the storm raged about These things I remember, no longer a lad And savor the spray o'er the bow As I walk on the pier, the Oregon seas Are the visions I recall even now Copyright December, 2012--CForsloff

They're Poor, Old and Just in the Way---An original song that speaks of a world problem, among the old, the poor who feel they are just in the way. Done in the folk tradition with banjo ukulele and accordion and vocals.

The Gossip War---Start the New Year with a laugh with an original song that speaks of one of the world's most prevalent social problems, gossip. The lyrics, bluegrass style, and mimicry will have you rolling with giggles, as the narrative style along with the melody tells the story. Done in the roots music tradition of good humor and accompanied with vocals, baritone ukulele, and chordpulse instrumental track and a video of pictures to promote that funny message in an original piece of entertainment. Copyright December 2, 2012

Eldorado--A New Year's wish for everyone, to find your Eldorado. Eldorado is based upon the poem of the same name by Edgar Allan Poe, with music and additional lyrics by Carol Forsloff. Eldorado is often thought of as the lost city of gold, but in the poetic sense El Dorado is also sometimes used as a metaphor to mean one's ultimate gift or prize, the "Holy Grail" or the greatest goal one can spend seeking in life, true love, heaven, happiness, or success. It is an original song, copyrighted November 3, 2012 and performed with mandolin, accordion and backing instrumental track. Eldorado by Edgar Allan Poe extra lyrics by Carol Forsloff Gaily Bedlight, a gallant knight, In sunshine and in shadow, Had journeyed long, singing a song, In search of Eldorado. Refrain Ride, Ride, boldly ride If you search for gold in shadow Ride, ride boldly ride If you seek for Eldorado But he grew old -- this knight so bold -- And o'er his heart a shadow Fell as he found, no spot of ground That looked like Eldorado. And, as his strength failed him at length, He met a pilgrim shadow -- "Shadow," said he, "Where can it be -- This land of Eldorado?" "Over the Mountains of the Moon, Down the Valley of the Shadow, Ride, boldly ride,"the shade replied, -- "If you seek for Eldorado!" The Eldorado, a city of gold The rider looks in shadow A city of love, a city of God Each man his Eldorado

Greatest Gift of the Season--An original song reflecting the truth that in the midst of tragedies there remain gifts of life in the season, that gift that brings people together in meaningful and wonderful ways. Performed with mandolin, accordion and instrumental track with original photos outlining the love among the peoples of the earth in microcosm in Oregon and Washington

"Sarah's Song"--"Sarah's Song" is sung by Nancy Burridge & Kirk James, Video by Dave Rodriguez. Press release by Carol Forsloff and magazine story can be found on Green Heritage News and other publications To make a donation to Sarah and her family please go to http://tinyurl.com/a8e8e9u

Not too old to cut the mustard---The song is original and copyrighted December 1, 2012, written after the couple performing on the video auditioned for Americas Got Talent in Portland, Oregon, as a reminder for people to go ahead and take a chance, do something different, like audition for a talent show. In the 1940's Bill Carlisle wrote a song called "Too Old to Cut the Mustard," at a time during World War II, as it may have referred to soldiers passing muster, although the word had been used previously by O Henry in one of his writings in 1907. The term is used to mean someone unable to do a job or perform something. This new song has entirely different lyrics and melody and references the idea that what you think is more what you can do and that age is a relative thing.

Oregon Serenade--An original song that is filled with the beautiful images of the State of Oregon both in words and in photographs. Enjoy the wonderful landscapes, ocean beach scenes, sweeping mountains and valleys and a glimpse of Oregon culture from a couple of elders from Oregon, playing the mandolin and accordion with original lyrics and melody. In a modern folk tradition, the song is copyrighted November 21, 2012.

Kitty Kringle Blues---After watching some female kiss her man, this frisky femme creates a bit of a stir, with demands for Christmas, intimating these are more sensual than material, and protesting her innocence at the same time. A chuckle here in a song with rhythm and rhyme sufficient to make it memorable in its own right. Original and copyrighted November 14, 2012 by C. Forsloff

Find Heaven Here--Where is heaven? Most people think of it only as a place some people go when they die, if they have been good enough. This song looks at how we can find heaven in our service and love for others, in a ballad form, a song of hope and kindness. Copyrighted November 14, 2012, and original song, and performed with baritone ukulele, vocals, harmonica and Chordpulse orchestra track.

An original song based on two lines of a Stephen Foster song about the Civil War. This song has entirely different words, melody and theme but is inspired by the need to appreciate the freedom of people everywhere and to hope for that freedom and glad tidings for the holidays and all the days to come.

Oregon Protest Rally Song depicts the Oregon culture of protest in a humorous way, as folks protest everything from housing to nuclear waste in a state known for its protests, just like it is known for environmental care and bicycles, especially in the city where protest is most familiar. Join the protest rally and sing aloud in the Peter Seeger type folk tradition and laugh a little at the same time. An original song copyrighted November 1, 2012 The Portland Protest Rally Song If you don't like the neighborhood Or you don't like the food You can march with Portland people And be a "with it" dude Refrain Protesting everything That's the Oregon Way If you don't hold a protest sign You'll never have your say If you want to bicycle in the nude Or go pants-less on the train Just join the Portland people And demand your rights again If you don't like policemen And politicians make you sick Stand up with the Portland folks now With your protest on a stick If you don't want to dress up And you don't like animal wear Stand up for Pendleton Woolen Mills And be the best dressed there If you don't like your boyfriend But a girlfriend you might woo Just march along with lots of folks Protesting just like you If you want grass that you can smoke If you just want to blow Just pick up that protest sign And on the streets you go

Jesus on the Mainline, a bluegrass gospel, one said to be a song Rebecca Oliver liked, sent to me by... read more Bill Watkins of Fandalism. It is part of the tradition of the music of the mountain people of the United States, the type often performed in Pentecostal churches. The film includes video clips from the Internet Archives of the "Holy Ghosters" of Scrabble Creek, West Virginia in the 1960's, but many of the traditions remain in parts of the United States. Jesus on the Mainline is one of those traditional bluegrass gospel songs. Performed by such country elites as Randy Travis and Ry Cooder, it is also done in an old style, gospel blues style with slide guitar.

Hickory Wind--Hickory Wind was composed by Gram Parsons in 1968 while riding on a train and was made famous by Emmylou Harris as a crossover folk country song. It is one of those songs that talks about hearth and home and those things people feel remind them of home when they are far away.

An Innocent Man--An original song of the execution in Texas of an innocent man. False testimony and unreliable evidence was used to convict Cameron Todd Whittington of setting fire to his house and killing his children who were inside. This was in spite of the fact that eye witnesses saw Whittington screaming for help, asking for people to call the fire department and showing incredible grief at his loss. Whittington was in prison for 13 years, refusing to make any special deal to receive a lesser sentence than death, asserting his innocence on his deathbed. Governor Perry refused to allow expert testimony refuting the false evidence and the poorly done arson report with the testimony and scientific evidence produced by four professional arson investigators and evidence of a similar case where a man was set free on the basis of finding poorly done arson evidence, outdated and not using scientific methodology. Whittington's cellmate testified Whittington had admitted killing his children, but it was later found the man had lied and was seriously mentally ill. This too was disregarded in denying clemency. The phrase used in the song were reported to have been the last words of Whittington before he was executed by lethal injection. The Innocence Project points to this case in Texas of how an innocent man can be wrongfully executed. Copyrighted by Carol Forsloff, November 8, 2012. An Innocent Man The angels held him, their eyes were weeping When Texas killed an innocent man He pleaded mercy, he cried for justice Still Texas killed an innocent man For years in anguish, his heart had broken Crying out, "Judge, now hear my pleas." But the judge said, "Sorry, we find you guilty With the innocent man on bended knees His babies long dead, his wife in sorrow They claimed he'd set a fire one day That burned his house down, that killed those babies A crime they said for which he'd pay A poor man's fortune, no one to save him, Condemned to die on wicked lies Of false accusers, of faulty witness Yet Texas would not hear his cries The Governor turned his back on justice Heeding not the truth made plain And in the darkness, in his sorrow An innocent man wept once again They strapped him on the death bed table He spoke these words, now all alone, "From dust I came, to dust returning So now the earth shall be my throne." Like God's own Son, while angels wept then The people killed an innocent man And in that kingdom, with Jesus waiting, There finding God shall understand

PERFECT DAY Collaboration---An international collaboration of musicians with a stunning performance on a song that represents one of the finest expressions of how people can relate and share in hopeful and positive ways.

Oregon Bicycle Blues -- An original blues melody that will make you laugh and want to get on board the bicycle, going green crowd, while swinging, swaying and chuckling at the wit of the song and the message in the music. The Oregon transportation system extolled, going green as well. Copyright 10/26/12 by Carol Forsloff. Bicycle Blues Too many cars now, too many highways, too little gasoline for you and me Too many people, out on the roadways, where will it lead us, I just can't see Been feeling blue now, just feeling lowdown, standing on corners, smelling the fumes Wanting to linger, wanting the clean air, sick of pollution as I write this tune Give me a bicycle, I want my freedom Give me the green roads of Oregon I sit on the bus line, I wait for the train rides, I look at the traffic out on the road It hurts me to see it, my poor heart is sorry, that too many people are sharing that load Gas prices are rising, and people get angry, they ask politicians keep drilling for oil But the roads just get crowded, with cars multiplying, and land and the water continue to spoil I found the pathway, I've found that right way, I'm going somewhere, follow me too Leaving my car now, back in the driveway, so I can get going, and wish that for you Just follow the light way, follow the bike way, follow the good way, get out of that Ford Stand up for the bike now, sing out for the bike now, or get on the bus now, yes folks climb on board

Five Hundred Miles-- A famous song with a background based on traditional music, a song called The Railroaders Lament, Five Hundred Miles was initially recorded by the Kingston Trio and later by Peter, Paul and Mary, the popular folk music trio of the 1960's folk music renaissance that spread through the world. An adaptation of The Railroaders Lament, translated into this song, was done by Hedy West. Performed with baritone ukulele, accordion and male and female vocals.

Ghost Walk--A contemporary folk song for Halloween, a narrative of the ghosts and goblins, but not for Halloween only. Images, words and haunting melody carry the story, with guitar, harmonica and vocals. Ghost Walk All souls dance around the fires With voices chanting to devil's lyres Locked in darkness, stars grow dim All Hallows Eve returns again The whispering of the ghosts drift by Through fog that fills the evening sky And black and grey, the mist crawls on As folks close windows, light has gone All Hallows Eve, they walk the lands, These spirits from unholy bands Hold dominion of the night's broad spaces Cloak themselves, then hide their facts So myth and tales have long been told How spirits roam and witches bold Brew fetid soup while goblins feed As ghosts creep by with the fog's dark need The night is gone, the morning comes, The sprits gone, with lighted dawn And wait their turn, another year When ghosts and goblins reappear The song is sung, the tale is done And all of us have had our fun From just these myths, our stories grow Ghost stories from now and long ago

Mama's Prayer--A song narrative of unqualified love, and what it means in our relationships. The song is reminiscent of roots music, with the photos from the songwriter's personal collection of Cloutierville, Louisiana where simple values bring a sense of real community and love and many people who have learned the essentials of family and that unqualified love and where there are no strangers. Done with guitar, accordion, banjo.

Faded Hopes in Faded Jeans--In the tradition of folk music is this original song, a narrative of lost hopes and dreams of young men who can't find work, lose their jobs, lose hope and who are often forgotten along the way. Like Woody Guthrie and others, the songwriter hopes to shine a light on a social problem with original pictures, as well as a sprinkle of those from the Commons, so that we remember those trying to find their way in a world that can be complex and difficult. Copyrighted October 12, 2012, by Carol Forsloff. Performed with guitar and vocals.

Brand New Tennessee Waltz--The song Brand New Tennessee Waltz was written by Jesse Winchester in 1970 when he lived in Canada, after moving there to avoid the draft during the Vietnam War. The Stanley Brothers recorded it after Winchester, as it was on Winchester's first album. It was also recorded by Joan Baez. It is not to be confused with Tennessee Waltz made famous by Patti Page. Unable to give author's background as ordinarily we do, as the clip wouldn't accept an addition.

E Ku'u Morning Dew is a well known song in Hawaii, performed here in both English and Hawaiian, made famous by Melveen Leed, written by Eddie Kamae and Larry Kimura. The video shows pictures of our early romance in the islands, performed with vocals, guitar, ukulele and accordion.

The Raven ---A ballad based on the scariest poem in the English language, structured upon nine random verses of Edgar Allen Poe's The Raven, that have the essence of the story. This is done similar to other artists who have used poem excerpts for compositions, when the verses are too long for the song itself. The song is brought forth with a hidden sound of the souls and the Raven with the harmonica overdub at random intervals. Done with vocals and guitar in a minor key to carry out the mystery and darkness for the song's atmosphere and illustrated with images from the Commons that have been used in major texts where the poem is found. The Raven by Edgar Allan Poe Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. "'Tis some visitor," I muttered, "tapping at my chamber door - Only this, and nothing more." Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; - vainly I had sought to borrow From my books surcease of sorrow - sorrow for the lost Lenore - For the rare and radiant maiden whom the angels name Lenore - Nameless here for evermore. Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortals ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, "Lenore?" This I whispered, and an echo murmured back the word, "Lenore!" - Merely this, and nothing more. Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately raven of the saintly days of yore; Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door - Perched upon a bust of Pallas just above my chamber door - Perched, and sat, and nothing more. But the Raven still beguiling all my fancy into smiling, Straight I wheeled a cushioned seat in front of bird, and bust and door; Then upon the velvet sinking, I betook myself to linking Fancy unto fancy, thinking what this ominous bird of yore - What this grim, ungainly, ghastly, gaunt and ominous bird of yore Meant in croaking "Nevermore." "Prophet!" said I, "thing of evil! - prophet still, if bird or devil! - Whether Tempter sent, or whether tempest tossed thee here ashore, Desolate yet all undaunted, on this desert land enchanted - On this home by horror haunted- tell me truly, I implore - Is there - is there balm in Gilead? - tell me - tell me, I implore!" Quoth the Raven, "Nevermore." "Prophet!" said I, "thing of evil - prophet still, if bird or devil! By that Heaven that bends above us - by that God we both adore - Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore - Clasp a rare and radiant maiden whom the angels name Lenore." Quoth the Raven, "Nevermore." "Be that word our sign in parting, bird or fiend," I shrieked, upstarting - "Get thee back into the tempest and the Night's Plutonian shore! Leave no black plume as a token of that lie thy soul hath spoken! Leave my loneliness unbroken!- quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door!" Quoth the Raven, "Nevermore." And the Raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon's that is dreaming, And the lamplight o'er him streaming throws his shadow on the floor; And my soul from out that shadow that lies floating on the floor Shall be lifted - nevermore!

Almost Persuaded was written by Glenn Sutton and Bobby Sherril and first recorded by David Houston in 1966. It went on to be the top country billboard song of all time, for the longest tenure on the chart, and was recorded by many in country and crossover music, including Tanya Tucker, Tammy Wynette, George Jones with Merle Haggard, Patti Page, the Statler Brothers and Louis Armstrong and won the Grammy for the top country western song of 1966.

The Haunting of Richard St Jean is an original song, and you may listen if you dare, good men; and women, relish the woman's part in a story of betrayal, she who brings her lover to be wed in a whole different way. The song is appropriate for Halloween or any time of year we gather around and tell ghost stories. This one is about a woman's ultimate revenge, in the folk ballad tradition of telling tales of the darkened byways of human feelings and beliefs. An original song composed October 10, 2012 by Carol Forsloff and performed with vocals, guitar and harmonica. The Haunting of Richard St. Jean The moon slipped through the misty night As he sang his mournful song He looked through the open window A ghost there on his lawn The wisp of light drew nearer And it shone across her face She said, "Young man, you'll join me here You brought me such disgrace I waited for you in the town Your promise kept me there The dress I bought for our wedding day You see, I still can wear For as a spirit in the night, I'll have you here with me In a hell of wandering endlessly For love there'll never be The stones upon my grave are cold My spirit walks the night I'll haunt you for the hurt you brought Your sleep disturbed with fright He sees the shadows stalking him For years they fill his mind He feels her in those shadows Moving closer now with time He opens up the window And he hears her awful cry Then falls upon the street below He knows he's going to die He hears her say, "No more will you deny You'll make me now a wife I died in shame by my own hand Your evil deeds, your life

Lawdy Miss Clawdy--a rollicking rock and roll classicwas written by Roy Price, who did the lyrics and recorded it first, with the melody from another song that was written in 1941. Afterward it was recorded by Fats Domino and Elvis Presley, the Beatles in the film "Let It Be" and was the first hit from New Orleans to be inducted into the Rock and Roll Hall of Fame.

Breathe Not the Sins of Others--An original song composed 2012 narrates the Eighth Commandment from the Old Testament and the teachings of all faiths, reiterated by Baha'i, Islamic, Buddhist, and Hindu teachings as well as the ethics of people who may not believe in God but believe in loving man and recognizing not every person is perfect. It reminds us we all fall short in our relationships towards others. Although it is a song of faith, it is also of the standard and folk traditions where a moral principle is infused in music. Lyrics Breathe Not the Sins of Others Breathe not the sins of others When all of us are sinners too Look at a heart and keep yours open As every man with eyes brand new For in the light that shines inside you For every man, a spark of God, For every man has tests and struggles In that search each path that's trod Look within and seek forgiveness Learn and grow, in times be still Seek your respite in the dawning And all answers in his will (Repeat first verse) (c) Carol Forsloff, 2012

A Few Old Memories was written and recorded by Hazel Dickens in the early 80's. She was born in 1935, died in 2011, and she sang in support of unions and feminist movements. A woman from West Virginia, she was before her time in advocating the rights of women and became celebrated for her music later in life. Of the blue grass, country tradition, her music is classic in those roots of America.

I'm Looking for Sunshine---An original song that is of the foot-tapping type, with an old-time feeling, like roots music. It speaks of sunshine in the figurative way, acknowledging that at a doorway entrance, one can find sunshine, but behind that doorway is left to the imagination---the love of God, the love of another, etc. Looking for sunshine will make you feel like adding a harmony, picking up your instrument and playing with it, singing or just listening with a smile. Find sunshine as you have a listen here.

Toast of 45--Recorded initially by Sammi Smith, of "Help Me Make It Through the Night" fame, tells in song the life of a faded movie star, as the woman shares that with a man she picks up in a bar. It is illustrated with live pictures, performed with vocals and guitar. The song was written by Jim Casey and Vince Matthews.

The Circle Game--Buffy Saint Marie and Staffan Fenander Tribute---This song was written and recorded... read more by Joni Mitchell. Buffy is a Native American, born in Canada in 1941 and present resident of Hawaii. Like Bob Dylan and Joan Baez, born the same year, she sings of human rights and social issues. The song Circle Game is of the folk music genre and written by Buffy in the 1960's at the height of the folk music revival around the world.

A Man Who Hits a Woman Ain't No Man at All---An original song with a strong beat and dramatic lyrics... read more that is in someway reminiscent of the roots of old country blues mixed with a modern touch. Listen, tap your feet and muse over that song with a slight rockabilly feel and consider the social problem that it relates. Done with guitar, accordion.

And the Band Played Waltzing Matilda--among the top 30 of Australian songs ever written, is not the light-hearted and familiar folk song but instead a song about war composed by Eric Bogle in 1971 and performed variously by many groups around the war, including John Currie, Katie Noonan, The Irish Rovers, Joan Baez, Priscilla Herdman, Liam Clancy, the Dulbiners and others including Garrison Keillor in a Prairie Home Companion, Phil Coulter, the Pogues, The Weavers and John Kerry when he was elected to the United States Senate. A poignant tune, it is considered to be among the world's greatest songs of wars, protesting the honoring of battle celebrations instead of the peace that comes later.

Suppertime is a country gospel narrating how the end of the day with family altogether is similar to that of one's final days and the life hereafter. It was written by Ira Stamphill and recorded by Jimmy Davis and Jim Reeves, considered by both singers to be among their best. It is a masterpiece of how country music appeals to one's sense of family and continuity of life in simple ways. Scenes are taken from Natchitoches and Cloutierville, Louisiana and La Grande, Oregon.

Queen of the Silver Dollar --written by Shel Silverstein, who also composed "A Boy Named Sue," this is a ballad that speaks of the woman of the night, the one who gathered the men around with her mystery and seductive appeal. Enjoy the innuendos and the upbeat rhythm and melody while listening to the fine lyrics of the song by Silverstein.

Beautiful Brown Eyes--a well known American classic made famous by Rosemary Clooney about 60 years ago and written by the Delmore Brothers.

Mary Hamilton---An old story of abortion and execution, of a young Scottish woman who had an affair with Peter the Great, became pregnant and aborted the child and was therefore executed. The song here is based on the fictional account, however many elements of the story may likely be true. Dedicated to the source of great classic ballads, the European roots music.

Waimanalo Blues---A song that was written by Thor Wold and Liko Martin in Hawaii in the 1970's to protest the increasing development of the islands of Hawaii. Although the song focused on the Windward side, the concern was for all the islands and the rights of the Hawaiian people, as it was in that way a protest song of the folk narrative style. A brief introduction gives a narrative of the impetus for the song that was written by Thor Wold and Liko Martin and performed by the Beamer Brothers, the Brothers Cazimero, Country Comfort, Israel Kamakawiwioole and even Arlo Guthrie.

The Untold Soldiers Story--Since 9/11 and the bombing of the World Trade Towers, and America's response, called the war on terror, many men have returned from the wars in Iraq and Afghanistan with unseen wounds, emotional scars and hurts, referred to as post traumatic stress disorder . This song is an original done in the folk style narrative with vocals, baritone ukulele and harmonica, giving a snapshot of that untold story of the hidden wounds of war.

Nature's Prayer ---An original song composed 2012 speaks of the prayer of nature to regain what it has lost from the desolation of man and the elements, the depletion of flowers, rivers, trees to regain its former beauty. Done with 4 string guitar/baritone uke and harmonica in the folk tradition.

Gods Gonna Cut You Down --- Run On for a Long Time---A traditional folk song and spiritual was brought to contemporary audiences by Odetta and later by Johnny Cash, whose version became the most popular. It is performed here with traditional steel guitar, dulcitar and harmonica and vocals.

Joe Hill, Which Side Are You On---Two songs representing the labor movement. Joe Hill is a song of the life of a union organizer who emigrated from Sweden to the United States and was executed for murder in 1915, with circumstantial evidence, making him a martyr of the labor movement. The second song is a rallying cry for union organizers, made famous initially by Paul Robeson, then Pete Seeger. Joe Hill was written by Alfred Hayes and Earl Robinson. Which side are you on was written by Florence Reese.

Motherless Children.--- This traditional folk song was recorded by Blind Willie Johnson and also the Carter family in the early years of the 20th century, although it is said to have been written earlier. The author is unknown. Later it was recorded by Odetta and Eric Clapton as well as Roseanne Cash, upon the advice of her father, Johnny Cash, among the top ten songs he wanted her to learn.

Walking After Midnight---This song was written by Alan Block and Donna Hesch for Kay Starr. Her record company rejected it, and later in the 1950's it was recorded and made famous by Patsy Cline. It is part of the country music tradition. Performed here with vocals, baritone ukulele, and harmonica.

Down on Me---a traditional folk song originated from African American gospel with a message of universal love, captured by the images in the video itself. Was recorded by Odetta and others, as part of a unique collection of gospel songs in the folk tradition and thought to have originated in the West Indies.

Stormy Weather---A classic blues song recorded by Louis Armstrong, Lena Horne, Della Reese and others. About 70 years old, it remains one of the American standard pop blues of the 20th century.

Mary Don't You Weep is a traditional folk gospel song, of the African American traditions, yet mirroring in rhythm some of the blues and recorded by such luminaries as Aretha Franklin.

Satisfied Mind--A song written by Joe Hayes and Jack Rhode in 1955, it was recorded by Porter Wagoner, Bob Dylan, Joan Baez and a host of other singers over the years. Satisfied Mind is a country gospel and folk classic down here with vocals, baritone ukulele and harmonica.

Blue Eyes Crying in the Rain--Written by Fred Rose and performed variously by Willie Nelson, Roy Acuff, Hank Williams, Emmylou Harris, Elvis Presley and others, the song is a country blues classic done here in the old blues fashion in Open C with slide and harmonica accompaniment.

Sunday Morning Coming Down -- Freedom --Come and Go With Me Trilogy--Cover of Kris Kristofferson in tribute to the composer of Sunday Morning Coming Down and for his niece, Janelle, to whom I gave my guitar, shown in this video, and to her father, Tom Loudatt, both good friends. The song is followed by a traditional, Come and Go With Me. The classic country song is one of the more famous songs composed by Kristofferson, who is reported to now have Alzheimer's disease, a man of unique vocal and compositional talent.

Careless Love--Considered the original blues, written by W. C. Handy, performed by the great Bessie Smith, the mistress of the blues, the song has been done in many styles and languages. It is performed here with baritone uke and harmonica with vocals in the traditional blues style

Paul Robeson Tribute: Scandalize My Name, Swing Low, Sweet Chariot. Paul Robeson was an athlete, scholar, lawyer, actor and singer and considered to be the 20th century Renaissance man by music historians and others, as related on a PBS special. He was vilified during the McCarthy hearings, left the country, performed occasionally but died in relative obscurity in 1976. He is known for his signature song "Ol Man River," and also spirituals that include "Scandalize My Name" and "Swing Low Sweet Chariot," both on this video.

What Will You Do When the Lights Go Out--A song that speaks of the life of a girl on cocaine, simple in style and form of melody and lyrics but with visuals and melody bringing the message of consequences. Accompanied by the guitar and harmonica.

Empty Bed Blues--A classic Bessie Smith number, with lusty lyrics and a ribald theme, a song of the 20's where sex and sultry ways are spelled out in innuendos. Done here with vocals, baritone ukulele, and the blues man, Del Forsloff's, harmonica sounds.

Lord, Lord I've Got Some Singing to Do--A song written by Robert Schmertz and part of a collection of his songs in a first edition songbook given to Carol Forsloff, one of the singers of this song, by his daughter, Gretchen, includes more than 50 of the world's best musicians as representative of that "singing to do." It has not been done publicly for many, many years, is a rare song in the collection and is dedicated to the memory of Robert Schmertz, his family, and to all those who make a joyful noise, speaking that universal language called music.

The Ballad of Norma Jean: Little Girl Lost--Original song with picture illustrations and a brief forward on the death of Marilyn Monroe, who died fifty years ago and whose death is memorialized August 2012. She is perhaps the most iconic female figure of the 20th century and continues to be famous around the world, with her image recognizable everywhere. Little Girl Lost is that Norma Jean who became the famous Hollywood movie star, Marilyn Monroe